Wednesday, May 30, 2012

Movie Dump for John


I'm pretty seriously behind in my blogging (reading and writing), but John, in the lovely way that he has, convinced me to try to transfer my Flixster reviews to my blog. Honestly, If I'd have known it would be this easy, I'd have done this long ago... I suspect that Blogger's new format makes it possible for me to copy and paste wholesale like this. Also, I didn't do any editing to speak of, so there are typos.

This is pretty much all the films I've seen this year, most recent to least. Some I've written about, most I haven't. While I'm not expecting anybody except John to read all of them, there's quite a lot in here I'd LOVE to discuss. So if anyone has anything to say, I'd like to hear it!

Love,
Jason



My Ratings

    The Birds
    33 minutes ago via Flixster
    The Birds (1963)
    More layered and engaging than I thought it would be. The whole setup with the characters in the first half of the film makes their interactions so much more interesting later on. The Birds really stands out from typical horror in this fashion. It's almost like he was making some kind of Cary Grant witty romance film and then threw a bunch of birds at the audience as a F--- you. I haven't seen a lot of Hitch, but I wouldn't put something like that past him.
    Porco Rosso (Kurenai no buta)
    36 minutes ago via Flixster
    Off the beaten track where Miyazaki is concerned. I loved and hated the ending, and that the mystery of the curse is never explicitly answered.
    The Sandlot
    38 minutes ago via Flixster
    The Sandlot (1993)
    I saw this several years ago, but recently with my wife and son. It's a really good family movie. Heart-warming and silly.
    Halloween H2O
    13 days ago via Movies on iPhone
    Halloween H2O (1998)
    Unimpressed. Not surprised, necessarily. I saw this awhile ago, but I'm getting rid of it so rating it now.
    Marvel's The Avengers
    16 days ago via Movies on iPhone
    Really well put together, very few complaints. Well-written, well acted. Great use (and not overuse) of the Hulk. Excellent work, Whedon!
    Paradise Lost 2 - Revelations
    16 days ago via Movies on iPhone
    John Mark Byers is the real "star" of this show, with his crazy antics. Nice follow-up to the original, though they might not have had a whole film's worth of material. Really looking forward to the third installment.
    Paradise Lost - The Child Murders at Robin Hood Hills
    16 days ago via Movies on iPhone
    Fascinating, thought-provoking, shocking, sad.
    The Curse of the Cat People
    19 days ago via Movies on iPhone
    I liked the beginning a lot, but it didn't seem terribly related to the first film or the whole "cat people" mythos. The ending was a little lame as well. But the little girl acted like a champ!
    Final Destination
    20 days ago via Movies on iPhone
    Probably crazy to rate this Lower than the sequel, but I think it was trying a little to hard to be serious, where the second one knows right what it is and gets right to it. This series really stands on its own as a unique addition to the annals of classic slasher type horror films.
    Final Destination 2
    20 days ago via Movies on iPhone
    A very serviceable sequel. Nice creative kills, GREAT car crash scene. Though the fact that they were total strangers made it a little less cohesive.
    Martha Marcy May Marlene
    23 days ago via Movies on iPhone
    I'm not a big fan of flashback storytelling, but it seems to be appropriate in this case. I wasn't completely convinced by the cult and cult figures; I'd like to read more about Durkin's research and why he chose to write this particular cult this way. It was a little too generic, with elements of religiosity but then other elements that seemed to contradict that. Olsen does a great job with the post-escape characterization, but you never get the feeling that she completely buys into the cult and so it doesn't really make sense why she stays as long as she does, especially considering some of the things that happen while she's there. Other female characters do a better job of acting brainwashed. Still, very well made. I look forward to more from this director.
    A Very Harold & Kumar Christmas
    23 days ago via Movies on iPhone
    Funny, but not as good as the second one, which is probably the best one. It would have been fun to see in 3-D as the use of 3-D was over-the-top in a way that reminded me of Friday the 13th part 3.
    Biutiful
    25 days ago via Movies on iPhone
    Biutiful (2010)
    Depressing and yet somehow hopeful. Why? It's finding grace in such infinitesimally small moments, but in places one would never expect or hope to find it. It's in seeing the worth and humanity in people of low esteem, even if it takes tragedy for it to happen. This film is relentless in its portrayal of misfortune. What is beautiful about it? A man's love for his children, his compassion for those less fortunate, tainted though it may be of self-interest, his high value of life, no matter what it's station. We, in turn, are more forgiving and compassionate towards him, and because of him can be more compassionate towards other characters in the film who nay not be as deserving of it.
    Melancholia
    25 days ago via Movies on iPhone
    Melancholia (2011)
    Melancholia draws you into its world so as to put you in a trance. Every facial expression, every word spoken matters and evokes some kind of emotional response. You hate these characters, yet you feel for them. Their impending doom almost seems a blessing. And Melancholia, lovely Melancholia looms like the angel of death itself. So beautiful, so harmless-looking, so deadly.
    La Ragazza che sapeva troppo (The Girl Who Knew Too Much) (The Evil Eye)
    27 days ago via Movies on iPhone
    I enjoyed this, but as usual it's difficult for me to judge it, not having seen many films from the period. The twist ending is a little strange, as I never suspected the killer, nor ever thought there was reason to suspect. I suppose a second viewing would be in order. I can see where comparisons are made with Hitchcock here more than any other Bava film I've seen. I've also been surprised by his range, as I thought he only did horror films before. Granted, so far, those are still his best, but his films in other genres aren't bad either. I also want to briefly mention the ending, which seems to parallel those of Bava's other films, which in the last minute almost makes a joke of everything that's come before. You see it in Black Sabbath and Bay of Blood as well.
    Quante volte... quella notte (Four Times that Night)
    27 days ago via Movies on iPhone
    Entertaining, if only for how different it is from Bava's other films.
    5 Bambole per la Luna d'Agosto (5 Dolls For an August Moon)
    27 days ago via Movies on iPhone
    More interesting for the mood than the plot. Very seventies, lounge music, women sitting around looking good, etc. I loved the freezer scenes, though.
    Black Sabbath (I Tre volti della paura) (The Three Faces of Fear) (The Three Faces of Terror)
    30 days ago via Movies on iPhone
    I wasn't so keen on the first story, but the last two were pretty great. Technicolor creates a really wild atmosphere in several scenes. I also appreciated the humor in the last minute of the film. Horror directors that present their material tongue-in-cheek (and the best ones often do) are my favorite.
    Reazione a catena (A Bay of Blood) (Twitch of the Death Nerve)
    30 days ago via Movies on iPhone
    Funny how judging it is challenging because I've seen this sort of film so often. But apparently this was one of the first. I liked how multiple parties were involved in the killing. And it has a wickedly funny ending.
    Battleship Potemkin
    30 days ago via Movies on iPhone
    Some nice camera work. Some Surprisingly moving scenes. Propaganda that was actually somewhat effective.
    Blackenstein (Black Frankenstein)(Return of Blackenstein)
    42 days ago via Movies on iPhone
    Started out funny and campy, but far too much screen time of blackenstein doing nothing but lumbering across a room or up, then down the stairs. Never knew that DNA serums were so versatile.
    The Pyx (The Hooker Cult Murders)
    42 days ago via Movies on iPhone
    Seventies murder mystery Satanic cult horror is so frustrating sometimes. Seems like too many want to be cop movies and horror movies and end up being neither. There was pretty much no horror in this film until the end, and it was too little, too late. The only horror films I've seen that have successfully navigated this formula have been Rosemary's Baby and the Exorcist. But they tried in the seventies, oh how they tried. This gets an extra half star for its interesting simultaneous flashback/present storytelling, allowing us to see what happened in real time to Black's character as the cop discovers it. I liked that the viewer was expected to get the format and follow along without too much handholding.
    Julien Donkey-Boy
    44 days ago via Movies on iPhone
    A Difficult but honest portrayal of a mentally ill man and his broken family. Too many films either shy away from or sensationalize mental illness. As with his other films, Korine strips away the veneer. It would be easy to accuse this and other Korine films of being hopeless, and you might be right. But those of us who have hope know that before anything can change you have to be willing to see it as it is. Herzog is a fascinating choice for the father. He's not a likable character, but he makes you want to know more about him. How did he fall so far? Or was he always this broken? Sevigny plays the willfully-in-denial daughter perfectly, despite the shameful origins of her pregnancy.
    Confessions of a Teenage Drama Queen
    44 days ago via Movies on iPhone
    Lindsay Lohan is actually a talented actress. Let us not let her poor personal decisions take away from that. This is not a great movie, but considering its targeted audience, it wasn't bad. Believe it or not, the first time I rolled my eyes was at the ridiculously smooth choreography during the high school play at the end. It was also amusing watching Megan Fox in an early role, and noting that she hadn't strayed too far from that character so far in her career :P.
    The Challenge
    44 days ago via Movies on iPhone
    The Challenge (2003)
    The best part was the end when all the boys showed up from their other movies and the Olsens broke character. It was weird but fitting for the very unusual life they've had.
    Primer
    45 days ago via Movies on iPhone
    Primer (2003)
    I had to read an explanation before I could rate it :). Terribly confusing, but when it's explained seems almost brilliant. It's probably a 4 star movie, but I'll have to watch it again to be sure.
    Criminal
    45 days ago via Movies on iPhone
    Criminal (2004)
    The lame ending totally ruined it for me. Good acting all around, especially JCR. But the ending makes the whole thing implausible. Apparently it's a remake of the Argentinian Nine Queens. I'll have to check that one out.
    Cat People
    45 days ago via Movies on iPhone
    Cat People (1942)
    I'd heard good things about this and it didn't disappoint! Solidly entertaining. Our favorite was the skeevy psychologist.
    The Secret World of Arrietty
    45 days ago via Movies on iPhone
    Pretty much perfect. Lovely soundtrack, beautiful animation, relatable characters, bittersweet plot, imaginative setting...Miyazaki hits another grand slam, and he didn't even need to direct it!
    Castle in the Sky
    45 days ago via Movies on iPhone
    Classic Miyazaki. Laputa's design is wonderful. I loved the robots and the scene where Dola's overhearing the kids' discussion in the crow's nest. I totally didn't recognize Mark Hamil's voice!
    The Cabin in the Woods
    46 days ago via Movies on iPhone
    Maybe 5 stars is premature, but Whedon has created a new standard for horror. Fantastic!
    Japanese Story
    57 days ago via Movies on iPhone
    Two things make this film worth watching: the gorgeous landscape and the scene where [SPOILER] she tries to get his dead body into the car. That part seemed so real and raw. It was stunning.
    Project X
    2 months ago via Flixster
    Project X (2012)
    I know this was marketed as a comedy, but I didn't see it as one. I think not seeing it as one is essential to getting what the film is about. It's about a party. It's meant to be about a party. That's it. Is that a bad idea for a movie? Ask the kids across the country who threw Project-X inspired parties for weeks after the film opened. It made an impact on them; it made an impact on me. What it does best is show the madness and nihilism of the party scene like few other films I've watched. I've never been to a party like that, but I was convinced from watching the film that that's what they're like. So it was effective. I kind of wish it hadn't been tied up neatly together at the end, with boy getting girl and audience getting updates about what happened to the characters. I wanted it to end at the bleacher scene, with Dax walking away from Thomas and Thomas getting smaller and smaller and fade out. There was too much tacked on to the end that wasn't necessary and didn't add anything significant to the plot (ok, maybe not "plot," per se...the setting, the concept, perhaps). The music and editing is effective and does a really good job of making this sort of thing appealing. The flamethrower guy single-handed turns the party from a "clean up all day Saturday" to a "house burned down and neighborhood traumatized" affair, which is a bit lazy, I think.
    Red State
    2 months ago via Flixster
    Red State (2011)
    I really liked this, though I wanted it to be a little more clear about what its message was. Great camera work, great characters, thought-provoking, exciting, harrowing. Better than I expected and different from Smith's usual stuff, which was refreshing.
    Dead Snow (Død snø)
    2 months ago via Flixster
    Really fun to watch, but totally ridiculous. Faithfully follows your standard horror template, right to the end. It was noted, however, that these zombies are more interested in killing than eating. Just don't mess with their gold and you'll be all right.
    Broadway Danny Rose
    2 months ago via Flixster
    Allen plays his most likable and sympathetic character I've seen so far here. The way he is challenged to live his own philosophy at the end of the film and how he responds to that challenge is truly heartwarming. Allen and Farrow have such great chemistry; it's a shame what he did to her. And I haven't even seen Annie Hall yet!
    Tucker & Dale vs Evil
    2 months ago via Flixster
    Fantastic! Funny, clever, original...Craig knows his horror tropes and skillfully and humorously turns them on their heads here. He doesn't sacrifice internal logic for the jokes, either, a la Scary Movie. Right up there with Cabin Fever as one of the best horror films I've ever seen.
    Rapa-Nui
    2 months ago via Flixster
    Rapa-Nui (1994)
    I really liked the setting; I've never seen a film that took place on Easter Island. That alone was enough to get me to sit through a hour and three quarters of really mediocre cinema.
    Margot at the Wedding
    2 months ago via Flixster
    Fascinating characters, even when they are unlikeable and unsympathetic. Kidman does better with her character than I would have expected, and it's fun to see Jack Black in a serious role that still allows him to be funny. Baumbach is consistently able to create highly dysfunctional characters that are thoroughly entertaining to watch and that make us feel better about own own neuroses.
    Topsy-Turvy
    2 months ago via Flixster
    Topsy-Turvy (1999)
    It took me a little while to get into it. I actually didn't care much for the first 40 minutes or so of the film. But when the G&S dynamic got going, it became a lot more interesting and was pretty much wonderful from there...
    Eaten Alive
    2 months ago via Movies on iPhone
    Eaten Alive (1976)
    This was a terrible film, but a great watch!! Neville is fantastic as the innkeeper, but the rest of the acting is only so-so. Lots of weirdness, awesome soundtrack. Hooper loves his homicidal outcasts, doesn't he?
    Paranormal Activity 3
    2 months ago via Movies on iPhone
    The second is my favorite, I think. This one was pretty good, too. The ending was a little weird, but I love the format of all three films. Love the natural dialogue, the lack of a soundtrack, the commitment to not showing the demon. Great stuff, and #3 is another quality entry in the series.
    The Crazies
    2 months ago via Movies on iPhone
    The Crazies (2010)
    Fun to watch, not particularly groundbreaking. I'll confess I would have rated it higher had I not known it was a remake.
    Lonely are the Brave
    2 months ago via Movies on iPhone
    Good movie but I hated the ending. Four, maybe 4 1/2 stars right up until the last 6 minutes. It was a great ride for most if the film.
    The Broken
    2 months ago via Movies on iPhone
    The Broken (2008)
    I thought this was very clever. I don't think a lot of people got it, due to a lot of comments about it being confusing and open-ended. It relies on and executes quite well a classic perspective switch, and if you don't make the switch, you're off track for the rest of the film. I watched it twice and was able to appreciate its quality much more the second time around.
    Romper Stomper
    3 months ago via Movies on iPhone
    Romper Stomper is shocking and mundane at the same time.I found it while looking for films like American History X, but it's still not really a one-to-one comparison. AHX hits harderbut is more melodramatic; RS has a more profound overall impact. AHX preaches and moralizes while RS does nothing of the sort. Yet, RS gets the message out more profoundly. There's less time spend on the neo-Nazi ideology in RS, and more focus on the relationships between the characters. I'll confess that the first half of RS was less impressive; it was a lot of shouting and running and fighting with no real story. But once the neo-Nazi gang moves into their new place, the plot gets going and the stakes get higher, as Davey's affection for Hando's girl becomes more apparent. The last 20 or 30 minutes or so are intense and tragic and more than make up for a slow start. It almost becomes two films at this point: one about the life of the gang, and another about the tragedy of a relationships that comes into conflict with an ideology. The final scene on the beach is incredibly powerful and makes the film worth watching if nothing else.
    The Illustrated Man
    3 months ago via Flixster
    Steiger overacts a bit in the by-the-lake scenes. I never get what he's so angry about. That's what you get when you let your lower half think for you. Regardless, there are a few things to like about this film. It's a little slow-moving and a little confusing, but the sets are cool (especially the all-white futuristic set with some really cool furniture) and Rod's tats are pretty rad. I love late-sixties/erly-seventies sci-fi in particular for their sets (think 2001, Rollerball, Sleeper). That alone makes this film worth the price of admission, so to speak.
    Ink
    3 months ago via Movies on iPhone
    Ink (2009)
    Impressive indie with an excellent cast (particularly the lead) and an intriguing if somewhat confusing plot. The film tips its hand too early (for me around the hour mark) and becomes less mysterious, but the images and the sets will stay with me. Great choreography for the fight scenes, too. All this for only a quarter mil. Nicely done, Winans.
    The Interrupters
    4 months ago via Movies on iPhone
    A shame this film got snubbed by the Academy. Sobering and heartfelt and even humorous despite its grim subject matter, the Interrupters manages to convey an amazing amount of hope. Important both as art and social commentary. A tad bit long, but I don't hold that against it.
    Slacker
    4 months ago via Movies on iPhone
    Slacker (1991)
    Linklater's vehicle for personal philosophy is entertaining and novel, though towards the end it starts to become a little tedious. Still an amazing film and an obvious forerunner to Waking Life, which totally bored me.
    Beautiful
    4 months ago via Movies on iPhone
    Beautiful (2009)
    Started off intriguing and atmospheric, but became a stupid melodramatic nonsensical mess by the end. Blah.
    Love Is the Drug (Addicted to Her Love)
    4 months ago via Movies on iPhone
    JP Amedori really sold his anguish towards the end. Turned a typical "teens and drugs" movie into something a bit more. Good acting by Caplan as well.
    Brother Born Again
    4 months ago via Movies on iPhone
    Not bad for an amateur effort. Good ideas, but the narrative was a bit flat.
    Suspect Zero
    4 months ago via Flixster
    Suspect Zero (2004)
    Not bad. Nice mood and atmosphere, but a little too predictable in a TV drama kind of way. That remote viewing stuff is interesting and freaaaaky, though!
    The Tempest
    4 months ago via Flixster
    The Tempest (2010)
    There are things I really liked about this and things I really didn't like. Mostly the low-budget-looking special effects.
    Cold Weather
    4 months ago via Movies on iPhone
    Cold Weather (2010)
    Great genre-bending film, may be one of my all-time favorites.
    Drive
    4 months ago via Flixster
    Drive (2011)
    It lost a half star because I didn't like the ending at all. Great atmosphere. Quiet, meditative...
    Tabloid
    4 months ago via Flixster
    Tabloid (2010)
    Morris at his best. Tongue-in-cheek, entertaining, subversive. A bit lighter than his other stuff--he doesn't maintain so much of his characteristic lack of bias here. Maybe he's been watching too much Herzog lately.
    The Ghost Writer
    4 months ago via Movies on iPhone
    Ewan plays the wide-eyed naive ghost writer very well, Brosnan is also wonderful, as is Williams. Quaintly Hitchcokian, but everyone says that.
    The Curse of Frankenstein
    4 months ago via Movies on iPhone
    Wonderful! What makes this a cut above is that it's not just the story of the making of a monster, but of the unmaking of a friendship. Of work that gets in the way of relationships, of principles that cloud judgment. Paul and Victor both bore responsibility for what happened in some fashion. Though Victor did seem, from the beginning, to have been missing some empathy. Perhaps he was on the autism spectrum.
    The Satanic Rites of Dracula
    4 months ago via Movies on iPhone
    This was my first Hammer Studios picture and I really liked it! Lee and Cushing have great onscreen chemistry; it's a shame they weren't together more in this film. It moved pretty good for a seventies horror flick. Some cheesiness (the roomful of vampiresses) but it kept my attention and was entertaining. I can't wait to see more!
    Secretary
    4 months ago via Movies on iPhone
    Secretary (2002)
    Saw this awhile ago, but getting rid of the DVD from my collection. Great job by Gyllenhaal in an unusual film about an unusual relationship.
    Pontypool
    4 months ago via Movies on iPhone
    Pontypool (2008)
    Original idea, excellent job working within the constraints of a small budget. Created tension and suspense with words more so than action and violence. One of the more unique zombie films I've seen. Recommended.
    The Sitter
    4 months ago via Movies on iPhone
    The Sitter (2011)
    Argh! So disappointing! I don't find putting kids into dangerous adult situations comedic at all, really. And I have a hard time identifying with a protagonist who does it. Add to that the fact that he's unlikeable, selfish, and incompetent and you've got a movie that doesn't have much appeal for me. DGG, please come back to us!! I know they've kidnapped you and are releasing terrible films in your name and you yourself can't be blamed. But you'll escape and make everything right again, I just know it.
    Miracle on 34th Street
    4 months ago via Movies on iPhone
    Can you believe this was my first time seeing this? Classic.
    Zelig
    4 months ago via Movies on iPhone
    Zelig (1983)
    Most unique Allen film I've seen. The first modern mockumentary? My favorite part is when he becomes a Nazi.



Wednesday, May 2, 2012

Excuses, Testing a Theory, Potemkin

Here's the rub: after the boy and the wife go to bed, it's my time. In the precious few hours I have before sleep, I can watch a movie or write about them. Four out of five times I choose to watch. So, it's nice that we're doing this "required watching" exercise, because it means that I'll be posting a bit more frequently.

That said, Potemkin aside, I was going to post anyway because I was reading earlier today John and Brandon's Cabin posts and the exchange about looking for meaning came up and I had a thought, barely a theory about horror films that comes a bit closer to meaning. I could be projecting my own moral nature onto a largely amoral genre, but perhaps my theory will be something interesting to chew on if nothing else.

Here's where it starts: the scene that perhaps comes back to me most often from Cabin in the Woods is the one where stoner says basically, "it's time for someone else to have a turn." Why does this stick with me? At first, I thought that it was something about not compromising your personal morals for the sake of the "greater good," but there's not a lot of support for that message in this film. So why does the scene stick with me?

Because it never happens in horror films.

Do you know how many incredibly short horror films there would be if the characters just lit a cigarette and said, "Screw it. We're not getting out of this alive." Yes, there are some who say and do that. But in terms of the spirit of every horror film, no matter how dire the situation, everyone wants to get out alive. Characters, even when they know they're doomed still read, plan, fight, scream, and flee right up until the moment their throat gets torn out with a rusty whisk. The characters that do say they're going to give up often get encouraged by other characters to not give up, and they risk their lives for each other in the process. I'll confess that I love me a good slasher pic and my observations are largely based on that subgenre, but I think similar elements exist in other types of horror films.

So here's my theory: horror films have a negative view of the world, but a positive view (ultimately) of the human spirit. Sometimes they make it, sometimes they don't. But, hell, that's life, right? And sometimes they'll even sell each other out to survive (though the ones that do rarely ever make it to the end), but no matter what, they never give up.

I'm sure this theory will be smashed to pieces by film club members more logically astute than I, but I still think I'm on to something.

Those of you who were waiting on my thoughts about Battleship Potemkin will be disappointed. Like Brandon and Adrienne profess, I've not had much experience with pre-thirties film, so I've not much to compare this to. However, having seen Birth of a Nation and The Mark of Zorro and The Thief of Bagdad, I'm beginning to see how some silent films are different than others in terms of style, storytelling ability, cinematography. This may seem like a no-brainer, but silent film in particular is subject to a lot of generalization because society as a whole (even blue hairs) is largely past the trend. So that period in film history is beginning to be fleshed out a little more and it's pretty interesting.

So what of Potemkin? I thought the cinematography was swell, some really nice lighting and atmospheric shots. More sophisticated than I would have expected for the twenties. Also, some scenes were legitimately moving. When the sailors were about to be shot on deck, and the firing squad put down their weapons, I felt real emotion (as opposed to detached interest, with which I viewed most of the film). When the leader guy was shot, same thing. At the end when the camera went back and forth--cannons, facial hair, enemy ships, cannons, facial hair, enemy ships, BROTHERS--it was funny (Adrienne and I were discussing this just today) but also effective in keeping me on the edge of my seat. Those final moments were the difference between a tragic or exultant ending, and I didn't know right to the end which it was going to be. I thought it was mild in terms of its propaganda. The director seemed to ride the line pretty steadily between storytelling and proselytizing, but only crossed it to the point of cheesiness a few times. Birth of a Nation was a much more egregious offender as far as that goes.

Well, enough of this. I'm on a Mario Bava kick lately and I think I still have time to watch something and get an adequate night's sleep.

Saturday, April 21, 2012

Record Store Day Swag 2012

Stores visited: Record Archive, CD Exchange, Needle Drop Records, Lakeshore Record Exchange

7" singles
Grouplove: "Don't Fly Too Close to the Sun," B-side "Tongue Tied Live"
Carolina Chocolate Drops/Run DMC (B-side) "You Be Illin'" (green transparent vinyl)
M83 etched vinyl (A-side only) "Mirror"
Regina Spektor sings two Bulat Okudzhava songs in Russian "The Prayer of Francois Villon,"B-side "Old Jacket" (white opaque vinyl)
Blitzen Trapper "Hey Joe," B-side "Skirts on Fire" (yellow swirled opaque vinyl)
The Baseball Project "El Hombre," B-side "Harvey Haddix"
The White Stripes "Hand Springs," B-side "Red Death at 6:14"(red swirled transparent vinyl)
Karen Elson "Milk & Honey," B-side "Winter's Going"(honey swirled transparent vinyl)
The Byrds "I'll Feel a Whole Lot Better," B-side "It's No Use" (blue transparent vinyl)

12" singles
Arcade Fire "Sprawl II (remix)," B-side "Ready to Start (remix)"

12" LP
Mates of State Crushes: The Covers Mixtape (clear vinyl)


12" two-disc LP
Sigur Ros Hvarf/Heim (green transparent vinyl)

CD
The Civil Wars Live at Amoeba


I won't tell you how much I spent, but it was a great day!

Wednesday, April 18, 2012

Cabin Fever in the Woods

John, I'm actually not wearing any panties. Wanna come over sometime?

Brandon, I loved Titanic when it first came out. I saw it twice in the theater--a tiny theater in Wellsville, NY, that was still using the same mono speaker system they'd been using since the twenties or thirties. There was an intermission while they changed the reels. John's been there; I can't imagine him not sharing my love for that little cinema. I soured on Titanic after it became a marketing juggernaut and haven't seen it since. I have no interest in seeing it in 3-D, but I will point you all to the latest episode of The Bugle, which has a hilarious segment about the anniversary of the Titanic, including commentary on this false but widely reported bit of news about its censorship in China.

On to what you've all been anxiously waiting for--my thoughts/responses to Cabin in the Woods. Yes, I loved it. Yes, I say it set a new standard for horror. I still think those things, except I will revise my "new standard" statement to "continues the new standard" that was set by Cabin Fever, then usurped (somewhat ironically) by a little torture porn flick called Hostel by the same director. Cabin Fever is almost the perfect horror satire in that you don't know that it's a satire unless you are somewhat versed in horror conventions. Whedon goes further and grander and is decidedly more up front about it, but nevertheless puts forth a film that is well crafted in its own right, while also paying tribute to what has come before. I can hear Adrienne saying that a difference between the two is that Cabin Fever turned various horror tropes on their heads, which CITW doesn't do (it embraces them instead). But both films are self-aware and well-educated and wonderful homages to the genre. Roth's having a little get together, while Whedon's rented a convention hall, but I see their objectives as very similar. Unfortunately, Hostel was so successful (not to mention that it came out practically on the heels of Saw, released a year earlier) that it rendered Cabin Fever practically impotent before it had a chance to truly be appreciated. The reign of modern torture porn had begun. Horror fans weren't quite ready for Cabin Fever, but I maintain that it fits in right alongside CAITW and another practically unnoticed but brilliant horror satire, Tucker and Dale Vs. Evil. Satire doesn't even feel like the right word, because these films aren't cynical at all, they're more the wink-wink-nudge-nudge-axe-to-the-skull sort. These films love horror and remind me in different ways why I like horror, too. In its own way, the Scary Movie franchise does the same thing, but its heavy-handed slapstick and stuffed-to-bursting bag of references (which I heartily enjoy, don't get me wrong) makes the films too clunky and obvious (and after the second one too self-referential) to be in the same category as the aforementioned trilogy.

Why I think Whedon's film could be important is because it's been marketed to a much wider audience that the other two films I mentioned, and has the potential to reveal to a much wider audience some of what us long-suffering horror fans have known all along: horror is awesome. And, this, I think, is the real message of Cabin in the Woods. Jeff (I think) said that it wasn't that scary, and I think it's important to acknowledge it. Whedon doesn't pull any punches--this is a real horror film, no doubt about it. But it's a film that has a wide enough appeal (because it's so fun) that I think non-horror fans can enjoy it, too. And maybe they'll talk to their friends who love horror, who will point out the references and talk about the formula and think to themselves, "Hmmm, I wonder if I would enjoy Hellraiser/Friday the 13th/The Ring/Chainsaw Massacre/Godzilla because I didn't think I liked horror, but I liked this movie." I said to Adrienne after it was over that it was the "horror film to end all horror films," because, really, Whedon laid it all out on the table. He proposed a contstruct that tied together in one mythology all the horror films that have ever come before it. I can't think of any horror film I've seen before that attempts that. And I won't be surprised if every horror film I watch from this point on, I'll be thinking in the back of my mind with a smile, "it's all a sacrifice to the ancient evil gods." But, as such, it also can be for some people the horror film to begin all horror films. It will definitely be included on my list of films to recommend to new horror fans along with Cabin Fever and Tucker and Dale.

[side note: hey, Adrienne and Brandon, wouldn't it be cool to make a list of top ten horror for non-horror fans?]

This is going to be all out of order, but I'm realizing that the Evil Dead films fall in the same category here. Bruce Campbell really was the original meta-horror hero, wasn't he? So I'll revise my assessment further--"Whedon has made a meta-horror film in the tradition of Evil Dead, Cabin Fever, and Tucker and Dale vs. Evil, but on a grander scale than any of those films. And he ties horror subgenres together in a way that no other horror film has done before."

Okay, enough rambling. On to my responses.

Jeff
Great post! I was expecting "nonplussed," and read what I thought was a generally favorable review. I liked all the same things you liked, and will agree with you that I admire homemade horror FX more than CGI, but I'm not such a purist that CGI gets in the way of my enjoyment of a horror film. I didn't notice it to be particularly bad (I've seen far worse), but for some horror fans, that it's in there at all is enough for dismissal. I loved the purge sequence, and will agree that "in real life" there would likely be a much more layered security system if you had that many nightmares locked up, but that would be boring to watch, right? It's a film about tropes and formulas, so why not throw in a few more?

John
I do actually enjoy watching losers being hacked up, though I don't see them as losers. Part of what I like about slasher horror is the thrill of feeling like you could be right there in the film--and if you were, what would you do to get away? I always think that way when I watch horror.
"I want my horror to mean something."--I'm quoting you here, John, but I don't really have a clear response. The statement just struck me as being--what?--ironic? Aren't meaningless deaths a part of horror's general worldview? What meaning can there be in a world where time and time again, killers can wreak havoc on human beings without real consequence? I suppose I understand what you're saying in Adrienne's context, but she and I differ in that I can (and do very much) enjoy horror on a craft/aesthetic level. It's still a funny-sounding statement.
"no different from Pirahna 3-D"--I disagree here. CITW is a very different film with very different objectives. But maybe I'm interpreting the statement out of context.
"those...who think that this cliched horror...is ridiculously boring don't care much for commentary"--If that's truly the case, then CITW isn't going to do much for you at all. You need say nothing more.
"connected emotionally"--I think I prefer to see myself as connecting with horror on a primal level rather than an emotional one. If I were invested on an emotional level, I doubt I'd watch much horror. It would be far too upsetting.
"clever screenwriters drawing attention"--nice line, and I agree. CITW has Whedon written all over it. But that's one of the reasons I like it so much! But there's more to it than that, in my opinion.
I agree with you that the "batshit crazy" ending was rushed. I wanted to see these fantastic creatures in action more, wanted to identitfy references, etc. But maybe they rushed it because they knew their CGI was crappy.

Chris
"walk away unchanged"--I didn't uncover any emotional or spiritual truths, no, but I was reminded that "horror is awesome" and my appreciation for the genre was raised. I definitely want to see CITW again, and think that it will reward those who will watch it more than once.
I've made references to the notion of a horror film needing to have "deep meaning," so I won't repeat myself here. One reason I like modern art so much is because it focuses almost entirely on form. The meaning is entirely subject to the viewer, but the form facilitates it. Part of my enjoyment of horror is its form, conventions and all. And films that explore, expand, and play with that form in intelligent ways greatly appeal to me.
I also liked the fact that there was a mystery of sorts, but it was thinly veiled. Again, a part of what draws horror fans again and again to the genre is the predictability--we'll watch the same formula over and over again and love it. But we appreciate new twists and creative kills (there's that phrase again) and other ways filmmakers can freshen up the form of the genre. Whedon does a great job of combining predictability while still keeping the audience guessing, and almost perfectly balances the two.
"hero of the story is also a guy who selfishly wants the world to be destroyed along with him"--I'm going to piggyback on John's response to this pretty much word-for-word.  I read a great book by Shusaku Endo called Silence, about a Catholic priest who, under threat of his life, denounced his faith only to take it back up again when the threat had passed. Most of the book was him wrestling with his decision--is it better to be alive and able to serve, or to die remaining true to an ideal? I'm with John in that humanity is not worth preserving if that's the cost. Stoner guy knew that and was wiser for it. Besides, if the Ancient Evil Elder Gods require all that, they're just a bunch of bullies and assholes. Let them destroy the world and then have nothing left to entertain themselves. See how long it lasts before they start making some more people out of clay.

Finally, John, I was very disappointed as well that there were no tentacles. I didn't mind the hand, but I was totally expecting tentacles.

Sunday, April 8, 2012

Constipated

I'm really behind in my dumps. I finally caught up with my reading the other day, to the tune of thirty Film Club posts or so.
After reading about it from two or more FC members, I watched Cat People with my wife and son. I liked it! I kept wondering which scene was one of the creepiest Jeff had ever seen, but I couldn't identify it. It wasn't that scary, but there were some creepy scenes for sure. I liked how it didn't try to hard for fancy special effects but relied on story and insinuation for the thrills. It was effective. My wife liked it, and she can be tough to please sometimes. I liked the use of light and shadows; the scene with the street lights and then the one at the end that made use of the light table were especially nice.
I've seen a bunch of other films but am struggling to motivate myself to write. I found out that I very likely tore my ACL playing indoor soccer and will most likely need to have surgery. A surgery I had tree years ago for my right knee. Sigh. I have an MRI next week.
I have a bunch of stuff to say about Arrietty: I loved the film so much. In addition to the Disney dub, I watched a British dub and about 2/3 of the Japanese version. Disney adds a whole monologue to the end of their version, which is distasteful to me. Watch it in Japanese or British dub if you haven't seen it yet.
Japanese Story has beautiful scenery and a powerful and numbing scene where a woman struggles to get her lover's dead body into her jeep. It's raw and real and lasts several minutes. I've never seen anything like that in a film before.

For real, I've seen 4 Hitchcock films--Psycho, Vertigo, Rear Window, and North by Northwest. I loved them all and besides think it would be silly to rank 4 films. I will say the Rushmore finale in NBNW was jaw-dropping. I'd love to see more of Hitch's stuff. I don't know why I haven't yet.

I agree with most of what has been said about Broadway Danny Rose. I'll add that so far, it's the most sympathetic character Allen has played that I've seen. Wonderful lesson about forgiveness and success in there.

The Trial of Joan of Arc took me awhile to get into and it didn't help that I was so tired. It was very slow and the acting was very flat. But Joan's dedication to God under such duress really won me over, as well as the hypocrisy and injustice of the church. I think I'd Ref to see it again to really appreciate it.

Now I'm posting without proofing, so deal with my typos. Rock on!